 | Evelyn Tripp in soft, white wool blouse with gilt threads and buttons worn with black velveteen slacks topped by a circular peplum by Clare Potter, carpetbag by Mark Cross, photo by Robert Frank, Harper's Bazaar, October 1947 |
| Evelyn Tripp in apricot silk and wool suit, with padded jacket, full skirt and shawl collar, by Hattie Carnegie, jewelry by Jean Schlumberger, photo by Louise Dahl-Wolfe, Harper's Bazaar, March 1948 |
| Evelyn Tripp in Cohama wool dress shot through with silver Lurex by Joset Walker, worn with with small velveteen cap and chinchilla muff, photo by Louise Dahl-Wolfe, Harper's Bazaar, November 1948 |
 | Evelyn Tripp in country suit of handwoven tweed, the jacket in russet, the skirt and stole in striped olive and rust, made to order by Leslie Morris, photo by Louise Dahl-Wolfe, Harper's Bazaar, November 1948 |
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| Evelyn Tripp in pale gray-blue satin evening pajamas, cut full with deep neckline framed with a collar and very wide belt by Pauline Trigere, photo by Louise Dahl-Wolfe, Harper's Bazaar, October 1948 |
| Evelyn Tripp in sleeveless striped blouse and printed skirt with huge patch pockets and scarlet and gold ribbon belt, photo by Louise Dahl-Wolfe at Arshile Gorky's farmhouse in Connecticut, Harper's Bazaar, June 1948 |
| Evelyn Tripp, photo by Lillian Bassman for feature, "The Personal Touch", variant published in Harper's Bazaar, November 1948 |
| Evelyn Tripp in black, bare, big-skirted gown of rayon taffeta with a bow in full bloom on one shoulder by Jack Herzog, photo by George Platt Lynes, Vogue, October 1, 1949 |
 | | Evelyn Tripp in brown wool, belted town topcoat, by Davidow, black velvet, veiled pillbox by Mr. John, jewelry by Trifari, photo by John Rawlings, Vogue, September 1, 1949 |
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